• bodies
    • Family Stories: Rotan Rattan
    • Family Stories: The Scars that Write Us
    • Family Stories: Stories of a woman and her dowry
    • The Thought Visits You
    • Gently Savage
    • Nudities
  • botanicals
    • Detritus Bouquets
    • Risks
    • Furious Fires
    • Departures
    • Life is Elsewhere
    • False Truths
    • Flower Flights
    • Chasing Flowers
  • collaborations + commissions
    • Performance | Body Translations
    • Drawing | Paper Planes
    • Drawing | Veins, Grains, and Striae
    • Drawing | Utopia Reimagined
    • Video | Women in Rage
    • VR & Video | In times like these...
    • Video | Hindsight is 20/20
    • Drawing | Skin Stories Commission
    • Drawing | Hills Like White Elephants
    • Performance | Variation and Variables
    • Performance | Johannes Brahms
    • Game | Jimmyfish
    • Game | Tembusu Bemused
  • research + curatorial
    • Collecting Bodies
    • Tracing Etymology
  • bio
  • c v
  • press
  • Menu

YANYUN CHEN

  • bodies
    • Family Stories: Rotan Rattan
    • Family Stories: The Scars that Write Us
    • Family Stories: Stories of a woman and her dowry
    • The Thought Visits You
    • Gently Savage
    • Nudities
  • botanicals
    • Detritus Bouquets
    • Risks
    • Furious Fires
    • Departures
    • Life is Elsewhere
    • False Truths
    • Flower Flights
    • Chasing Flowers
  • collaborations + commissions
    • Performance | Body Translations
    • Drawing | Paper Planes
    • Drawing | Veins, Grains, and Striae
    • Drawing | Utopia Reimagined
    • Video | Women in Rage
    • VR & Video | In times like these...
    • Video | Hindsight is 20/20
    • Drawing | Skin Stories Commission
    • Drawing | Hills Like White Elephants
    • Performance | Variation and Variables
    • Performance | Johannes Brahms
    • Game | Jimmyfish
    • Game | Tembusu Bemused
  • research + curatorial
    • Collecting Bodies
    • Tracing Etymology
  • bio
  • c v
  • press

28.03.25 - 30.03.024
STPI at Art Basel Hong Kong

Wells Blog

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